Teaching

I teach writing intensive courses with awesome experiential components. My courses centre voices historically marginalized in academia, present regeneration-focused rather than damage-centered content, and provide clear expectations and multiple sources of feedback. I use writing as a practice of ongoing inquiry and a method for bringing together individual experiences, structural analyses of intersecting systems of oppression, and visions for alternative futures. I have worked with students in Media Studies, Political Science, Cultural Studies, and English at several universities.

In a series of hand-drawn zines, I engage students in course content and research methods, while reflecting on pedagogy. For example, I created a zine to introduce Political Science students to methods for conducting research in art galleries. To give students tools for navigating galleries—which can be unwelcoming or even hostile spaces—the zine offers tactics for engaging artworks in advance and humorously demystifies gallery spaces.


Literature, Culture, & the Anthropocene

This seminar engaged with the expansive and complex topic of the Anthropocene from a humanities and specifically cultural studies perspective. To examine the profoundly inequitable effects of environmental degradation, the course centered the knowledge of Indigenous, Black, and other racialized communities, as well as queer, feminist, and rural perspectives. Students profiled complex relations of loss and endurance for the Field Guide to Lost Futures, a digital humanities project that is part time capsule, part memorial, and part speculative experiment.

Department of English and Cultural Studies, McMaster University.


Visualizing the Future

In this elective MFA seminar in media studies, students explored various media genres that have been used to imagine and impose visions of the future, with emphasis on the politics of futurist texts and attention to Indigenous and Black/Afro futurisms. The course included site visits to galleries and museums and a group research creation project where they developed a proposal for a future-oriented monument in the city of Philadelphia, inspired by the work of Monument Lab.

Department of Cinema and Media Studies. University of Pennsylvania


Media & Indigenous Politics

This course introduced key issues in Indigenous politics in Canada through Indigenous- and settler-created media. Students learned about Indigenous peoples’ strategic use of mass media, film and visual media, and artwork to advance projects such as political organization, resurgence, and language reclamation. Students also examined how mass media—such as newspapers, television, and film—have reproduced harmful stereotypes, and how Indigenous artists and activists have disrupted such representational practices. Alongside this political and historical context, students were introduced to media theories of affordance, representation, and remediation.

Department of Political Science, University of Toronto.


Alternative Media

This course introduced students to historical and contemporary forms of alternative media, with particular attention to the role of media in building counter-publics. Informed by Black, queer, and feminist press histories, students identified under-reported issues in their communities and created zines in response, giving them hands-on experience with writing for social change and research creation.

Institute of Communication, Culture, and Information Technology, University of Toronto Mississauga.


Globalization & Indigenous Politics

This elective seminar connected critical Indigenous studies with comparative politics. Students examined globalization from the perspective of Indigenous politics with a focus on the Americas and extractive industry. Course activities included experiential engagements with Indigenous histories of a campus park now known as Philosopher’s Walk. Assignments included policy briefs and an extended research paper.

Department of Political Science, University of Toronto.


Race & Struggles for Racial Justice

This undergraduate seminar introduced the rich body of literature generated in response—and often in opposition to—the colonial circuits of bodies and goods central to the experiences, objects, and texts Cultural Studies seeks to analyze. From Franz Fanon and James Baldwin to Glen Coulthard and Lee Maracle, students engaged with theorists directly responding to the questions of racial justice in which their communities are ensnared. Reading theoretical and literary texts together, we considered how writing is not merely about politics, but constitutes political action.

Department of Cultural Studies, Trent University.


Pedagogy Zines

 

Thinking About Art

How to do politics and media studies research in an art gallery. This zine contains tips and ideas for students and researchers interested in thinking about political problems alongside the critical and creative offerings of contemporary art.

Professionally Developed Human

Finishing a PhD is wild. Afterwards, it only gets wilder. This zine blends practical tips with personal reflections on postdoctoral life.

Living in Lost Futures

This zine is a collection of reflections, prompts, and questions for receiving and telling stories about the lost futures we are living through and the lost futures to come.

 

On Being A Host… …On Being A Guest

How to host guests in university classes in ways that value labour and diverse sources of knowledge, while engaging students in meaningful ways. This zine offers advice and ideas for being a good host.