Publications
Books.
Settler Colonial Ways of Seeing: Documentation, Administration, and the Interventions of Indigenous Art, Fordham University Press, 2024.
Academic Articles & Book Chapters.
“Speculative Shit: Bison World Making and Dung Pat Pluralities,” chapter in Decolonising Animals, edited by Rick De Vos (Sydney: Sydney University Press, 2023).
“Field Guide to Lost Futures: A Collaborative Engagement with the Anthropocene,” Prompt: A Journal of Academic Writing Assignments, Vol. 7, No. 1 (2023): 3-10.
“Looking at Law: Refusals of Settler Colonial Politics in Nadia Myre's Indian Act,” CR: New Centennial Review, Vol. 21, No. 3 (2021): 135-164.
“Afterward: To Visualize the Future is Political Work,” chapter in Visual Futures: Exploring the Past, Present, and Divergent Possibilities of Visual Practice, edited by Tracey Bowen and Brett Caraway (Bristol: Intellect Books, 2022).
“Reciprocity,” chapter in Showing Theory to Know Theory: Understanding Social Science Concepts Through Illustrative Vignettes, edited by Patricia Ballamingie and David Szanto (Ottawa: Showing Theory Press, 2021): 388-396.
“Living in Lost Futures,” Journal of Environmental Media, Vol. 2, Supplement 1 (2021): 10.1-10.6.
“‘Last of the Buffalo’: Bison Extermination, Early Conservation, and Visual Records of Settle Colonization in the North American West,” Settler Colonial Studies, Vol. 10, No. 1 (2020): 126-147.
“Buffalo Bones, Buffalo Treaty,” Journal of Narrative Politics, Vol. 5, No. 2 (2019): 62-70.
“Human-Bison Relations as Sites of Settler Colonial Violence and Decolonial Resurgence,” Humanimalia: A Journal of Human-Animal Interface Studies, special issue on Decolonizing Animal Studies, Vol. 10, No. 2 (2019): 10-41.
“Disrupting the Register: TreatyCard.ca and Indigenous Counter-Archives,” PUBLIC: Art/Culture/Ideas, No. 57 (2018): 48-57.
“The Face and the Number: Memorial and Statistical Narratives in Auschwitz-Birkenau’s Central Sauna Portrait Exhibit,” Photography & Culture, Vol. 11, No. 1 (2018): 41-59.
Essays.
“Sorry, Sorry, Sorry, Sorry,” review of David Gaertner’s The Theatre of Regret, Canadian Literature: A Quarterly of Criticism & Review, Vol. 250 (2022): 149-152.
“The Pleasure(s) of Pen(s) on Paper,” Literary Hub, Craft + Criticism section, 25 October 2021.
“Rejection Season,” Public Parking, 11 September 2021.
“Anique Jordan’s Nowing: A Political History of the Present,” Femme Art Review, Reviews section, 03 August 2021.
“Reintroducing bison to Indigenous land is a small act of reconciliation,” The Globe and Mail, Opinion section, 23 July 2021.
“Can we still write together when this is over?” Avidly: A Channel of the Los Angeles Review of Books, 06 July 2021.
“How to be a good host for guest speakers in your class,” University Affairs, 24 June 2021.
“Creativity thrives in community,” Guest post, NicoleDieker.com, 28 April 2021.
“Historical photo of mountain of bison skulls documents animals on the brink of extinction,” The Conversation, Environment + Energy section, 02 December 2020.
“Identifying ‘Indians’: Racial Taxonomy as a Settler Colonial Politics of Knowledge,” History of Knowledge Blog, German Historical Institute, 22 May 2019
Press Interviews.
“War of words: Experts say the Wet’suwet’en actions are being mangled with loaded vocabulary,” by Rosa Saba, Toronto Star: Calgary Bureau, 15 February 2020.
“Looking back on a decade of Mellon postdoctoral fellows at the Jackman Humanities Institute,” by Jovana Jankovic, Arts & Science News, University of Toronto, 23 July 2019.